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Author: John Wijngaards

Gloria Ulterino

Review of What They Don’t Teach You in Catholic College by John Wijngaards

by Gloria Ulterino

Have you ever pondered the question: should women be ordained to the priesthood in the Roman Catholic Church?  Or perhaps: why on earth can’t women be ordained today in this church?  This book’s author has lived these questions for years, with a passion.  Beginning in 1965, as a young priest, Wijngaards would experience first-hand the devastating results of a lack of church leadership in southern India, where he served for nearly twenty years.  While he admittedly honors the teaching authority of the church, he’s also compelled to point out its errors—such as its position on slavery over the centuries.  (In fact, he devotes an entire chapter of this book to this issue, as an example of the church’s devastating error.)

In this readable book, Wijngaards draws upon personal experience, as well as theological scholarship, to plumb the depths of this question: can women be ordained priests in our beloved church?  His resounding “Yes” emerges out of his efforts to probe the following: the mind of Jesus; the role of cultural prejudice against the full humanity of women throughout the Tradition; the hints of Jesus’ regard for women, as found in Scripture; the origins of sacramental love for all; the devotion over the centuries to Mary as Priest; the ordination of women to the diaconate during the first millennium; the sense of the faithful in helping form church teaching; the hardening of Vatican teaching in light of ecumenical ordination of women; and the persistently disastrous church error in its teaching on slavery.  Is it not possible, he asks, for the church hierarchy to be just as wrong about ordaining women to the priesthood?

What do I most appreciate about this book?

  • First of all, it has become the author’s passion to right this wrong in the Roman Catholic Church—the church of his youth, the church of his entire life, the church that must speak truth in our world.
  • Second, he is like a sleuth, searching out any and every hint for the mind of Jesus. In this endeavor, of course, he points out the difference between the Jesus who walked the earth and the Christ of faith.  While Jesus lived in this world, he was immersed in the culture of his day, a time in which it would have been unthinkable for him to ordain women.  As he puts it, on page 45: “A society floats on its ‘social myth,’ that is, on the cultural framework by which it lays down its objectives and norms of behavior.  It is that social myth that has in many regards dictated the fate of men and women.”
  • And yet, the earthly Jesus held women in high regard. Here Wijngaards plumbs the depth of Luke’s Gospel and Acts of the Apostles, the only evangelist to have a Book Two of his Gospel.  This becomes a perfect example of God’s Holy Spirit at work in the ongoing creation of our church.  (I would only add that the author might also have been well-served to include a few of the strong women of John’s Gospel, as yet another example of the Spirit at work in the church.)
  • Jesus’ vision (in chapter 7) of a new kind of priesthood: one based upon grace, one opposed to a “setting apart,” one based upon service (yes, even to the point of sacrifice) and inspiring preaching, one we humans continually struggle to claim for ourselves.
  • The importance of and need for the sense of the faithful (in chapter 10) in determining our beliefs. This is clearly, in the author’s view, the way that the church has grown and developed; thus, it is also the pathway to ongoing Gospel growth and change.

As for the rest, I urge you and your friends to purchase and read this book, that it might become a source of enlightenment and courage for us all.

Gloria Ulterino
leader of the Women of the Well
storytelling group in Rochester, New York.

Tina meditation on the way

on the way

NEW WOMAN – ME!  no 18

 

 

full of hope and trust
I am walking
through the days
of my time

not knowing
the distance
or the destiny
of my journey

strengthened by
God’s powerlessness
as the driving force
of my continuing
commitment

© Tina van Lieshout
translation John Wijngaards

Theological Note. When Tina talks about ‘God’s powerlessness’ she is referring to the insight of the Dutch theologian Henri Nouwen. This is what he taught: “We usually talk about God as the all-powerful, almighty God on whom we depend completely. But God wanted to become the all-powerless, all-vulnerable God who completely depends on us. Jesus is God-with-us, Emmanuel. The great mystery of God becoming human is God’s desire to be loved by us. By becoming a vulnerable child, completely dependent on human care, God wants to take away all distance between the human and the divine. By having become powerless God is closer than ever.”

MEDITATIONS

Tina van Lieshout was a Dutch Catholic woman who felt called to the priesthood. Her diocese refused her admission to the priestly formation programme which she challenged in high-profile court cases. She lost. Being both a gifted artist and poet, she described her despair in a series of paintings and meditations. But she also expressed through them her determination to realise her potential as a free and equal person.  Her work was published in the Dutch book Ook in de Naam van de Moeder en de Dochter [= ‘Also in the Name of the Mother and the Daughter’], Wilco, Amersfoort 2000. She died in 2010.

Tina meditation and God saw that it was very good

and God saw that it was very good

NEW WOMAN – ME!  no 16

 

God – They – created our world
made it purposeful and perfect
and moulded human beings,
woman and man
in Their image
God – They – delegated part of Their own task
to the image

God entrusted to human beings
the option to act
the option to omit
and human beings were crowned
to be king and queen of the earth
“..and God saw that it was very good” (Genesis 1,31)

© Tina van Lieshout
translation John Wijngaards

MEDITATIONS

Tina van Lieshout was a Dutch Catholic woman who felt called to the priesthood. Her diocese refused her admission to the priestly formation programme which she challenged in high-profile court cases. She lost. Being both a gifted artist and poet, she described her despair in a series of paintings and meditations. But she also expressed through them her determination to realise her potential as a free and equal person.  Her work was published in the Dutch book Ook in de Naam van de Moeder en de Dochter [= ‘Also in the Name of the Mother and the Daughter’], Wilco, Amersfoort 2000. She died in 2010.

Tina meditation I accuse man

I accuse men

NEW WOMAN – ME!  no 12

 

we allowed it to happen that male domination
degenerated into avarice and abuse of power,
that the Tyrant could exploit people unhindered,
that an economy of destructive ways of life
was justified

we allowed the male human to abuse
his creative energy for destruction
we allowed him to plunder the earth until it was empty
to oppress his own kith and kin

but the commission we received
has never been withdrawn
we, women and men, have to take charge
in order to protect and maintain
the earth that was entrusted to both of us

© Tina van Lieshout
translation John Wijngaards

MEDITATIONS

Tina van Lieshout was a Dutch Catholic woman who felt called to the priesthood. Her diocese refused her admission to the priestly formation programme which she challenged in high-profile court cases. She lost. Being both a gifted artist and poet, she described her despair in a series of paintings and meditations. But she also expressed through them her determination to realise her potential as a free and equal person.  Her work was published in the Dutch book Ook in de Naam van de Moeder en de Dochter [= ‘Also in the Name of the Mother and the Daughter’], Wilco, Amersfoort 2000. She died in 2010.

Tina meditation my inner struggle

my inner struggle

NEW WOMAN – ME!  no 13

caught up as I am
in the maelstrom of events,
an as yet undecided
head-on collision
of conflicting emotions
is erupting in me —
the force of the fire which is the source
of the struggle for my basic rights
also feeds the asphyxiating smoke
of hate and aggression

helped by the chill
of indifference in me
my passion to survive whole and intact
is fighting
to control the fire

as long as there remains
a sufficiently warming
spark of love in me
I will not give a chance
to the asphyxiating smoke
of lethal aggression

© Tina van Lieshout
translation John Wijngaards

MEDITATIONS

Tina van Lieshout was a Dutch Catholic woman who felt called to the priesthood. Her diocese refused her admission to the priestly formation programme which she challenged in high-profile court cases. She lost. Being both a gifted artist and poet, she described her despair in a series of paintings and meditations. But she also expressed through them her determination to realise her potential as a free and equal person.  Her work was published in the Dutch book Ook in de Naam van de Moeder en de Dochter [= ‘Also in the Name of the Mother and the Daughter’], Wilco, Amersfoort 2000. She died in 2010.

tina meditation women carry the church

women carry the church

NEW WOMAN – ME!  no 9

 

“handling the heavy body of the church”, the bishop’s vicar general said,
“is a man’s job;
you may pray”

“the priesthood”, the vicar general told me,
“is a man’s job;
you serve God in a different way
you protect young life and nourish it
you see to it that all is ready on the table
that everything is whole and tidy
you maintain and clean the church
but being a priest is a man’s job”

but we, women of this time,
we spread our frozen wings
the one after the other we will fly away
and the heavy body will in the course of time
feel no ground under its heavy feet

© Tina van Lieshout
translation John Wijngaards

Historical note: Remember Tina belonged to a farming community. In this painting Tina portrays the Church as a bull. Bulls are notoriously heavy, fierce and unpredictable. Only the strongest farmhands can handle them.

MEDITATIONS

  • the force of time
  • I accuse women
  • I accuse men
  • my inner struggle
  • past present future
  • my dream
  • and God saw that it was very good
  • phallus worship
  • on the way

Tina van Lieshout was a Dutch Catholic woman who felt called to the priesthood. Her diocese refused her admission to the priestly formation programme which she challenged in high-profile court cases. She lost. Being both a gifted artist and poet, she described her despair in a series of paintings and meditations. But she also expressed through them her determination to realise her potential as a free and equal person.  Her work was published in the Dutch book Ook in de Naam van de Moeder en de Dochter [= ‘Also in the Name of the Mother and the Daughter’], Wilco, Amersfoort 2000. She died in 2010.

Tina meditation the money dragon and the religion dragon

the dragon of money and the dragon of religion

NEW WOMAN – ME!  no 7

for so long I lived in credulous naivety
I trusted people blindly
especially those I had been taught
to look up to —
respect for traditions and rules
were a part of my inner constitution
of my social ordering
that blinded the normal logics
of my powers of assessment

now, having finally regained my sight
I am disturbed by the dreadful overwhelming power
of a banking system without love
through which people are paralysed and exploited

now, having finally regained my sight,
I am disturbed by the dreadful and colossal power
with which religions
wielding false arguments about God’s will
and God’s revenge
keep people imprisoned —
I see it all and I feel powerless

© Tina van Lieshout
translation John Wijngaards

MEDITATIONS

  • the force of time
  • I accuse women
  • I accuse men
  • my inner struggle
  • past present future
  • my dream
  • and God saw that it was very good
  • phallus worship
  • on the way

Tina van Lieshout was a Dutch Catholic woman who felt called to the priesthood. Her diocese refused her admission to the priestly formation programme which she challenged in high-profile court cases. She lost. Being both a gifted artist and poet, she described her despair in a series of paintings and meditations. But she also expressed through them her determination to realise her potential as a free and equal person.  Her work was published in the Dutch book Ook in de Naam van de Moeder en de Dochter [= ‘Also in the Name of the Mother and the Daughter’], Wilco, Amersfoort 2000. She died in 2010.

tina-med

MEDITATIONS

  1. desert journey
  2. three selves in me
  3. me broken in pieces
  4. male and female
  5. my choice
  6. irrepressible energy
  7. the money dragon and the religion dragon
  8. evolving identity
  9. women carry the church
  10. the force of time
  11. I accuse woman
  12. I accuse man
  13. my inner struggle
  14. past present future
  15. my dream
  16. and God saw that it was very good
  17. phallus worship
  18. on the way

tina meditation my choice

my choice

NEW WOMAN – ME!  no 5

I am a free woman
even though I have made my choice
nothing has been decided by me – has it?
I could still say “no”….
disappear from the limelight
into an eternal forgetting

however, I myself
have already been chosen,
my destiny has been decided
I must keep saying “yes”,
for all to see and in the limelight
to shoulder the task entrusted to me

© Tina van Lieshout
translation John Wijngaards

Historical note:  Tina came from a simple farmer’s family in Brabant. I believe that Tina wrote this poem when she finally decided to take the Church to court, first before a county magistrate, then on national level in the Netherlands, and finally at the European Court of Human Rights.  John Wijngaards

MEDITATIONS

  • the force of time
  • I accuse women
  • I accuse men
  • my inner struggle
  • past present future
  • my dream
  • and God saw that it was very good
  • phallus worship
  • on the way

Tina van Lieshout was a Dutch Catholic woman who felt called to the priesthood. Her diocese refused her admission to the priestly formation programme which she challenged in high-profile court cases. She lost. Being both a gifted artist and poet, she described her despair in a series of paintings and meditations. But she also expressed through them her determination to realise her potential as a free and equal person.  Her work was published in the Dutch book Ook in de Naam van de Moeder en de Dochter [= ‘Also in the Name of the Mother and the Daughter’], Wilco, Amersfoort 2000. She died in 2010.

tina meditation three selves in me

three selves in me

NEW WOMAN – ME!  no 2

 

in me lives a hunger for higher things
for belonging and infinity
in me I experience, in spite of my humanness,
the warmth of an attentive power
in mutual connectedness

in me rise feelings and values that struggle
with norms and rules of tradition and law
I note in myself, born from growing self-respect,
rebellion and aggression about my womanhood
denied by male distrust

in me grows hope–filled confidence
that the human spirit will prevail
I see my changed mentality
as basis of an equal future for women and men
and mutual respect

© Tina van Lieshout
translation John Wijngaards

MEDITATIONS

  • the force of time
  • I accuse women
  • I accuse men
  • my inner struggle
  • past present future
  • my dream
  • and God saw that it was very good
  • phallus worship
  • on the way

Tina van Lieshout was a Dutch Catholic woman who felt called to the priesthood. Her diocese refused her admission to the priestly formation programme which she challenged in high-profile court cases. She lost. Being both a gifted artist and poet, she described her despair in a series of paintings and meditations. But she also expressed through them her determination to realise her potential as a free and equal person.  Her work was published in the Dutch book Ook in de Naam van de Moeder en de Dochter [= ‘Also in the Name of the Mother and the Daughter’], Wilco, Amersfoort 2000. She died in 2010.